Ruth Long addresses how to work through the middle of your book and how to tackle the rest of this challenge.
My first attempts at novel length stories were exhilarating and demoralizing.
Exhilarating because I could so clearly envision the beginning and end of the story.
Demoralizing because I could never quite manage to bridge the gap between the two.
Why is it that middles so often become baffling, exhausting, and tedious to get through?
I’ve been actively seeking the answer to that question and here’s what I’ve come up with so far.
There are no hard and fast rules for writing a novel.
There are, however, a handful of techniques that make the process easier.
The first technique we’re going to reference is the Three Act Plot.
The general breakdown of the Three Act Plot looks like this:
Setup = 25% of story
Middle = 50% of story
Resolution = 25% of story
Whoa! No wonder the middle seems like a monkey on our backs. It’s half the story.
We need to cut that sucker down to size but where do we start?
By employing a middle-of-the-novel-tedium-busting technique I like to call “Lemony Snickett’s ‘A Series of Unfortunate Events.’”
This is the technique we’re going to focus on. Continue reading