Pep Talk Week #3: Get Out Of That Slump!

Hello, everyone! Are you ready for Week 3? You’re all doing an excellent job and have officially conquered the halfway point of JuNoWriMo! 

I don’t know about you, but Week 3 usually presents me with either a rush of writing adrenaline or a slump. If you’re in the adrenaline group, congratulations and may your words pile up well. If you’re in a slump, I can commiserate and want to offer a few ideas…

My advice is centered around one basic idea. When in a slump, change it up. Creative boredom can’t stand a chance against change, so here are some ways that you can alter how you’re approaching your project and get those ideas (and words) flowing again. 

Location: Maybe you’re becoming tired of writing in the same place every day, staring at the same scenery when you look up from your keyboard. For many of us who are participating, it’s summer. Get outside and write in the warmth of the sun. Go to an Internet cafe if one is available. If other options are limited, switch rooms. Put on some music. Burn a candle or spray a fragrance in the air. Engaging your other senses can do wonders for your thought processes. 

Method: Some writers prefer to write outlines by hand, and a few brave souls like to write their entire manuscript in longhand. If you’re like me and not ready to commit to 50,000 words of handwriting, you can still have the hands-on advantage by writing out some notecards, outlines or character sketches. Or, if you’re accustomed to writing these things on paper, change your approach by putting them in your word processor of choice. Just break out of the mold. 

Timeline: This is a slump generator for me. You’ve been going along well for two weeks on your preferred timeline but then the ideas slow to a trickle. Why not jump in time, either forward or backward, and write out of sequence? Where will your MC be in five years? What were they like as a child? What would their lives look like if their fondest wishes came true! Or their worst nightmare? These time jump scenes might come into an earlier or later part of your plot, but it’s also okay if you don’t use them at all. Consider it time well spent in getting to know your character even better, which will allow you more avenues of creativity as you continue. 

Character: Explore new ground by having a background character tell what’s happening through their eyes. They might have an entirely different story to tell than your MC! What if your protagonist becomes the antagonist or vice-versa? Are any of your characters connected in different ways that you haven’t considered before, such as relation, old friends, anyone who shares a history together? Just like in the case of the timeline, these variations may show up in your novel or may create an opportunity for character growth, but you’ll see your project through fresh eyes. 

Break Time: Last but not least, it pays to take breaks from your project. It may seem counterintuitive in the last two weeks of JuNoWriMo, especially if you’re still in need of writing a lot of words, to take more frequent short breaks, but it can be the word-saving recharge you need. After writing or reading for a long period of time, my brain can turn to mush and my productivity takes a nosedive. There’s nothing as mentally rejuvenating than getting away from it for some movement or an unrelated task. Just stretching can help so much! It’s time well spent when you return to your project with a new burst of energy. 

I wish you all the best as you continue the JuNoWriMo challenge, no matter what week you’re on. Remember, if this project has creatively challenged you in any way, you’re already a winner because you’re finishing the month with so much growth and experience. Happy writing to all of you! 

Elizabeth Conrad writes short stories and novel-length works in mainstream, fantasy, and science fiction genres and also enjoys singing and design.

Pep Talk Week 4: Writing Magic

Dear Reader,

Recently, I rewatched The Magicians. In one of the episodes, one of my favorite characters, Margo, mentioned something I’ve held with me for a long time. Magic comes from pain

When I first watched the series years ago, I remembered the line got me through a lot. I think rewatching it was some sort of calling. As someone who was experiencing a rut–not a creative rut, a rut that comes from being buried under deadlines, imposter syndrome, and more–this line spoke to me once again.

Words are magic. In spell books, in tv shows, and in more, words are used as a conduit to cast spells. I think, in some way, that extends to writing. We are magicians because we put our blood, sweat, tears, hopes, fears, and souls into words. Be it ink, or graphite, or zeros and ones on a screen, these mediums are our wands, and the novels, short stories, poems, and essays we write are the byproduct of the magic we cast.

Which brings me back to that expression. If Magicians use magic, and it comes from pain, then the words and stories we write also come from it. This experience has been used and morphed throughout time. How writers have to mine their trauma. Or how your lived experiences make the best stories. The suffering artist trope. I can go on and on.

Pain is a tool in a writer’s arsenal. Just like point-of-view, exposition, and dialogue. Too much dialogue, and your stories lack grounding. Too much exposition, and you’re telling, not showing. Like everything, there needs to be a balance. Going back to The Magicians, to write, just like to cast, the circumstances have to be right. 

The world is a mess right now. There’s no other way to say it. The world is pushing down on us in every way imaginable. We cannot control it. 

But we can control ourselves. We can control how that pain manifests itself. We are not only magicians, readers, we are alchemists who can turn blood into wine. It doesn’t have to happen instantly. The spell might take one month or one year, but in the end, if you lean into it, if you trust yourself, and if you remember, you are powerful, and not shy away from those feelings, you might just make something great.

And I believe, with my whole heart and being, we will be the best magicians known to man. 

Onward,

Kosoko Jackson

Kosoko Jackson is a digital media specialist, focusing on digital storytelling, email, social and SMS marketing, and a freelance political journalist. Occasionally, his personal essays and short stories have been featured on Medium, Thought Catalog, The Advocate, and some literary magazines. When not writing YA novels that champion holistic representation of black queer youth across genres, he can be found obsessing over movies, drinking his (umpteenth) London Fog, or spending far too much time on Twitter. His YA debut, YESTERDAY IS HISTORY, came out in 2021, published by SourceBooks Fire and his adult #OwnVoices queer Romcom, I’M SO (NOT) OVER YOU will come out in 2022, by Berkley Romance.

Pep Talk Week #3: Nudging the Muse

Kudos for taking on this awesome JuNoWriMo challenge. Writing 50,000 in a single month is a huge goal, and while you no doubt started inspired and fired up, at some point, you may find yourself feeling uninspired.

So, if and when you run out of steam with your writing, here are five fun ways to nudge the muse.

  1. Create Some Chaos: Stories are fueled by conflict. Conflict shows what kind of stuff your characters are made of. Try sticking two characters in a room and tossing in some conflict. Did one of them renege on a deal? Maybe they discovered they’re both dating the same person. Maybe it’s as simple as disagreeing on where to set the thermostat. It’s not as much about the specific issue as it is about their behaviors and their reactions to the conflict. It’s fascinating the deeper levels of character you can reach through a little exercise in conflict, and creating chaos is a great way to spice things up and get your writing revved back up.
  1. Face the Fear: Just like each of us, every well-drawn character has something they fear. Peter Pan is afraid to grow old. Indiana Jones hates snakes. Find a fear to saddle your character with and then force them to face that fear. If your character is afraid of the dark, blow out their only candle, or drain the battery on their smart phone. One of the best ways to see what your character is made of is to pit them against their phobias. All sorts of things can come to light, just by exploring your character’s darkest fears.
  1. Road Trip!: Transport your character to another location. Give them, and your brain, a change of scenery. 
  1. Set the Mood: Try a little music. Pick a song that matches the tone of the scene you’re writing. Listen, really listen and let yourself take it in. Get up and move to the music. Sway, or hop, or leap, or spin. Soak it up, allow it to shift your emotions and turn them into physical movement. Set it on replay as you resume writing. Let the music move you and your words.
  1. Re-engage Your Senses: When writing, we tend to get focused on the visual. But stories should engage all of our senses. Put yourself inside the story, by waking up your senses. Writing a scene in a coffee shop? Make yourself a fresh cuppa and spend some time savoring the sounds of the coffee maker, the smell of the coffee beans, the taste of the dark roast with a hint of cream. Writing a scene that takes place outdoors? Go outside, close your eyes and inhale. Let yourself really hear, smell, and feel the world. Not only will this exercise give you a short break from the keyboard, it’s also a great way to remind yourself what your character is hearing, smelling, feeling, tasting.

Most of all, take a minute to celebrate your progress to this point and marvel at the awesome power of putting words on the page and bringing your stories and characters to life.

Here’s to finishing strong!

Sharon Skinner holds a BA in English, an MA in Creative Writing, and is a Certified Book Coach. She writes fantasy, science fiction, paranormal, and the occasional steampunk, for audiences of all ages. Skinner is an active member of SCBWI (Society of Children’s Book Writers and Illustrators) and serves as the Regional Advisor for SCBWI AZ.

Pep Talk Week #2: Don’t Look Back

Dear Writer,

I have long been obsessed with mythology, specifically the Greeks. My favorite among these myths is that of Orpheus and Eurydice. What I find myself returning to again and again within this myth and my current work-in-progress is a lasting reminder. Don’t look back. This, dear writer, is a mantra to recite daily as you endeavor to fill one page after the next. 

No matter what stage or scene you find yourself in, you must keep your eyes on the forward motion of your story. Sure, there will be trials and roadblocks and wrong turns along the way. Writing is, after all, a journey with a destination. But the best adventures often arrive when we get out of our own way.

Most recently, I forgot the name for the location of the school I created in my own fictional world. I searched through reference materials saved in Scrivener, but could not find the answer I needed. Following this slight sense of panic, I took too many hours diving into archives of notes from 2014 to present day. I discovered folders from Phase One and Phase Two only to be struck by the realization that this story is now in Phase Three. Here, dear writer, is where my most beloved advice of don’t look back would’ve suited me well.

While I did find the answer I needed, too much time spent away from the writing dwindled the momentum I gained that Sunday morning. Perhaps, it was procrastination at a subconscious level. I knew that specific writing session would be about tackling a difficult chapter. In an effort to feel prepared, I lost that fizzle of alchemical obsession that often causes us to write in a haze. You know those days, dear writer, as they are often the ones which never feel tangible. The words are just there without a real memory of putting them on the page. 

But here’s the thing. Tough chapters will happen. There may be answers to questions you cannot remember in the moment. The key is to keep writing despite these challenges. And you guessed it, don’t look back. 

When facing troublesome scenes or struggling to make sense of what you think your story should be, consider the points of the journey you are most excited to write. It might be a small idea or image, it may be a conversation echoing on a loop in your head or an action scene you’ve imagined with perfect pacing. Whatever it may be, use these as an anchor to stay tethered to the act of writing.

As mentioned earlier, my work-in-progress novel began as a small seedling of an idea in 2014. During my time in the Mountainview MFA, I conceptualized a story filled with dreams. I  researched and wrote. I added more pages and ideas. My final semester of my graduate studies, I met with my mentor to pitch that story and discuss the plan for the next few months. Very quickly, my mentor let me know that this was not what my story was actually about. She gave me a deadline and urged me to rethink the concept. I must note that I have always thrived on setting a goal, and that night, I did in fact conceptualize a new version of this story. It felt right. And even then, there was a scene in a lighthouse I needed to write. It got me through to the end of my thesis. 

Now in Phase Three having finally gotten out of my own way, leaning into my strengths as a writer, and incorporating my love of mythology, I have finally found what this story needs to be, and I refuse to look back. As I approach the final part of the novel, I am once again writing toward that scene in the lighthouse. Even amidst the tough chapters, it keeps me excited to continue this journey. 

Throughout this month, you will encounter all kinds of chapters and scenes moving you toward your desired word count. This is your destination. And along the way, there is magic to be found in the journey. 

This is what keeps us returning to the page, right? There will be days when you’re tired and the words come too slow. And other hours may hurt because the writing feels too real, too authentic to ever consider sharing with the world. I’m here to tell you that this month, it doesn’t matter if the writing is scary so long as you put words on the page. 

Dear writer, the world is not always kind and life is not always easy. Some days, survival may be all you can manage. But on the other days when you find excitement for the scenes you’ve yet to write, these are the days when getting close is better than best because it means you haven’t given up. 

Believe in yourself. Take a deep breath. Drink some water because you’re probably dehydrated. Keep trying. And most importantly this month, don’t look back until you make it to the end, whatever that means for you. 

Wishing you all the very best, 

Kayla King 

Kayla King is an author of fiction and poetry. Her debut micro-collection of poetry, These Are the Women We Write About, is published by The Poetry Annals.

She is the founder and Editor-in-Chief of Pages Penned in Pandemic: A Collective, now available for purchase. All proceeds will be donated to 826 National, an organization supporting young writers.

Kayla is a graduate of the Mountainview MFA with her sights set on publishing the novel conceptualized during her graduate studies. She will be completing her YA speculative novel about dreams this summer before seeking representation, and always dreaming bigger than ever. To learn more and catch a sneak peek of her first page, check out her conversation with agent Danielle Chiotti featured on the Manuscript Academy Podcast! You can follow Kayla’s writing journey over at her website: kaylakingbooks.com or her twitterings @KaylaMKing. 

Pep Talk Week #1: Finding Venus

Sentences. Those precious, precious sentences… I find myself thinking about sentences a lot, especially after I’ve written a bunch of questionable ones.

Oh, writers: those esoteric beings perched over a keyboard or a notebook, crafting stories one word at a time, one sentence at a time. And the writers who have written and/or published multiple books LOVE to remind us of the incredible importance of the finely tuned sentence, and the Herculean battle they embarked upon to get those lauded strings of words just. Exactly. Right. The lost sleep! The blood! The sweat! Etcetera!

When I started grad school, it had been twenty-plus years since I’d had to carefully contemplate things like sentence structure, grammar, punctuation, tone, beats… In my workaday world post-undergrad and pre-MFA program, sentences were purely utilitarian: say things to convey information, ideas, feelings, or make a friend laugh. Of course it was always important to me that my sentences, whether written or spoken, were soundly constructed and made sense, but understanding them to the degree that my program’s faculty discussed in workshops (and even in casual conversations I’d overhear while passing by) was overwhelming, to say the least. It had just been so long since I’d thought about that stuff, I was afraid I’d never be able to grasp it again. I remember scribbling “What have I done? I am in completely over my head.”

Realizing all that we don’t know, and haven’t even thought about when we start on a writing project is enough to make a person turn back before they really start. Maybe you’re there right now.

OK, so… I’m working on something now, too. It’s been in progress for what’s got to be two years now. I had a lot of ideas, and, in fits and starts, have written – as of today – 47,702 words. Most of the reason why I haven’t gotten more words and more story is: the sentence. The vast majority of sentences in this thing are garbage. I can practically see the comments by former mentors and editors about how messy this sentence/paragraph/chapter is. It’s like commentary during a baseball game, only it’s about this thing I’m still trying to make. I’m editing myself before I actually have enough to edit.

Sculptors make beautiful things. I always think of the Venus de Milo, with her luminous, pensive facial expression, the dropped shoulder, and the curve of her neck. And how she started as a block of stone – or maybe marble? I’m not sure. I’m not a literal sculptor. But that detail, that beauty, came out of an amorphous block. Think how strong the artist’s vision must have been to chisel away at that block to reveal that goddess of beauty that still evokes emotion and passion today.

That block is your first draft. And you don’t even get to buy it or have it given to you; you have to MAKE it. And a block is exactly what it needs to be: blocky (of course), heavy, bulky. In fact, the bigger the block, the more material there is to chisel away at. And if you make a mistake with that chisel, at least you’ll have enough marble or stone or whatever to chip away more and more until it looks exactly like you want it to.

If you spend too much time editing your sentences as you try to plow through your first draft, you will never get to play with that big, strong, solid block. So keep going, keep building that blocky word count until it’s so big, with so many sentences that will absolutely need chiseling, that you’ll have lots of room for mistakes and missteps – and then when you’re all the way through you can start obsessing about making your sentences fine and intricate. But until then, keep making those big, blocky ones. Your Venus will reveal herself to you in due time.

Shawna-Lee is a writer with a debut novel called Radio Waves, which is all about connecting to music in such a way that it can change the course of one’s life. In addition to music, she also loves stand-up comedy, proverbial rabbit holes, and desolate lighthouses. She’s a lifelong New Englander, and is currently working on a novel about Gen X-ers, friendship, and life’s unexpected turns.

Radio Waves is available anywhere you like to get your books, including your local indies, via Bookshop.org.

Pep Talk Week 4: The Final Push

Hey everybody! Week 4!! We’re so close to the end of the month!

I thought about talking about word counts, final pushes, or finding something super inspirational—but instead I’m going to say this:

Good job!

Look at what you’ve accomplished! 5 words? 50 words? 50000?? Great! You decided to do a thing and you did it. You’re a writer. You made art. You did something original.

You still have this last week to meet your goal, but if you don’t, that’s okay. You can still write in July. You can write in August. You can set a new goal and try again in November.

As long as you keep writing, you simply can’t fail. There aren’t any wrong answers here or only one way to do it.

Your way is the best way for you. Don’t let anyone tell you different.

So, my writing friends, here’s to the last week of June. It might be the end of JuNoWriMo 2018, but it’s only the beginning of your journey. So keep on writing. Keep on making art. Keep on believing in you.

Peace, love, and words,
Angi

Angi GriffeeAngi Griffee is a dance and theater instructor whose love affair with words helps her create books. She also bakes, sings, and owns Wise Owl Words Editing.

Pep Talk Week 3: Strategies for Writing through the Middle

We’re entering week three of JuNoWriMo. Some of you have already crossed the 50k line, some of you are close, and some of you are writing madly while knowing you won’t make that goal. The thing that all of these have in common is that you are writing and that is fantastic.

Today, I’m mostly speaking to the folks who aren’t finished yet and are trying to jam out a whole bunch of words. Yes, you can just write random stuff and bump up your wordcount that way, but wouldn’t it be nice to have words that you’ll be happy with later for more than just the quantity of them? Here’s a list of strategies find words you’re excited about.

  1. Remember that you are telling a story and you are telling it to yourself first and foremost. We are, all of us, readers. So when you’re sitting there staring at the page, don’t think about what you should write next, think about what you would want to read.
  2. Remember what excited you about the story in the first place. Bring it back. You liked the flying monkeys in chapter 2? No reason they can’t make a reappearance here.
  3. Doodling for writers. Write description from your character’s point of view. Ridiculous descriptions. Describe the woodgrain on the desk sitting in the corner of the room that your character is in. At some point, your brain will say, “Really? We’re talking woodgrain? I have some plot here. Would you like some plot?” That description isn’t wasted. It tells you about the space that your character is in and you can often cut those words up and put them in other places in your novel
  4. Pick a technique to practice. Dialogue. Setting. Internal monologue… Now doodle for writers with that, until you find your way again.
  5. Gift your character with your indecision. They don’t know what their plan is either, so think about the smartest thing that they can do — but think about it on the page and in their point of view.
  6. Figure out what your character wants overall and also in this scene. Now. Systematically deny it to them. They want a glass of water? Fine, break the faucet. They go to call the plumber? Tough luck about the phone coming off the wall like that. Be mean to them.
  7. Brackets are your best friends. If you are on a roll, don’t stop to look things up. Put it in [square brackets] and come back to it.
  8. Bored with a scene? Just jot down what happens next so you can get to the part that you really want to write. Sometimes, you’ll come back later and find you didn’t need the part you skipped.
  9. Set a timer for twenty minutes and tell yourself that your fingers cannot stop moving. Before you hit start, pick a goal for the scene — something specific like “they break out of prison with a mason jar” or “she realizes she loves him.” Now write.
And if you don’t hit 50k by the end of June? No big deal. There’s always next month. Sure, JuNoWriMo is in June, but dude– writers write. And you, my friend, you are a writer.

Mary Robinette KowalMary Robinette Kowal is the author of historical fantasy novels: The Glamourist Histories series and Ghost Talkers. She has received the Campbell Award for Best New Writer, three Hugo awards, the RT Reviews award for Best Fantasy Novel, and has been nominated for the Hugo, Nebula and Locus awards. Her stories appear in Asimov’sClarkesworld, and several Year’s Best anthologies. Mary, a professional puppeteer, also performs as a voice actor (SAG/AFTRA), recording fiction for authors including Seanan McGuire, Cory Doctorow, and John Scalzi. She lives in Chicago with her husband Rob and over a dozen manual typewriters. Visit maryrobinettekowal.com.

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Pep Talk Week 2: How To Keep Writing

This week, Angi Black helps you sail through the halfway point of JuNoWriMo (and probably also your diet if you’re on one).

Hey there JuNoWriMo-ers! It’s week two and we’re nearly halfway done!! 

How you doing? 

Two weeks in is always the tipping point for me. If I’m sailing, I only build steam. On the other hand, if I’m struggling, I think about quitting. And that’s what today’s pep talk is about. How to keep going no matter how it is going. 

It’s always easy to sit down and write when the words are flowing. Those are the best days. You sit down, stretch your fingers over the keys, and with that gentle tap-tap-tap the world that lives in your brain comes to life in front of your eyes. It’s like magic and you are the wizard. 

But what about those days when it’s hard to put a sentence together? What about the times when life stands in between you and the keyboard? The days when you’ve convinced yourself you’re not a writer. Those are the days I’m talking about. 

First – everyone has those days. Every. One. If they say different, they are selling something. 

Second – it’s gonna happen. Sometimes I can sit down and pump out so many words I have to double check the count to make sure I actually did that. Sometimes, I can’t do anything but read over my last chapter and delete the ten times I used the word Just. 

Third – One bad day does not equal a wasted month. (Or year, or book, or whatever our brains would like us to believe).

When I get stuck I try to remember those three things. I take a deep breath and think them through. 

Have you ever been on a diet? That was a silly question. I’ll rephrase. Remember the last time you were on a diet? And you ate that pizza and then you had a birthday party and ate cake and then because you’d done all that you finished the day with one (or three) too many glasses of wine? No? 

Oh. Me either then. But hypothetically speaking… Because you’d felt like you’d blown it you decided to make your little bonfire into the explosion behind Ironman as he walks away. This is the same thing we do to our writing when it doesn’t come easy. We take a slow day of writing and turn it into OH MY GOD I’LL NEVER WRITE ANOTHER WORD WHAT AM I DOING HOW DID I GET HERE?????

And you know what’s great? It’s the easiest thing not to. All you have to do is this – be nice to yourself. 

I know, weird, right? 

When you start to struggle, think about what you would say to someone else who is struggling. I bet you’d encourage them, tell them they got this, and give them permission to have a slow day. 

So now, do that for yourself. A lot of us think we’re not writers because of where we are in the process. Some of think we’ll never finish that second (or third or tenth) book. All of us worry it won’t be good enough. 

If you are writing, you are a writer.

You will finish whatever you put your mind to. 

And your words will speak to the people they are supposed to. 

All it takes is a whole lotta bravery and a little patience with ourselves. 

So happy writing, my friends!! 

Now, take a deep breath! Because I believe in you. You got this!!! And slow or fast, you’ll get there. Happy writing!

With magic words and love, 

XO 

Angi

Angi GriffeeAngi Griffee is a dance and theater instructor whose love affair with words helps her create books. She also bakes, sings, and owns Wise Owl Words Editing.

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Pep Talk Week 1: Writing Isn’t Just Writing

Get excited for this month’s challenge with a poignant and funny reminder from author Chuck Wendig that writing is so much more than “just writing.” 

The good news, and the bad news, is that there is nothing I can tell you that you don’t already know.

You already know it’s going to be hard. Writing, despite what some assume, isn’t easy. It’s an act of mining – except instead of chipping rock, you’re chipping away at ideas, at emotions, at the schist and bedrock of your own mind.

You already know that it’s going to be weird. I mean, c’mon. You sit in front of a computer, basking in the glow, and you look at that glowing square and try to impress upon it the breadth and depth of a whole story. You also make people up. Like, you invent them. Wholecloth. Thin air. Entire beings that are you, but aren’t you, at the same time.

You already know that nobody will really appreciate it. I’m a NYT-bestselling author, and I still meet people who know I’m a writer, and their response is basically, “That’s nice.” And then they tell you a thing as if it’s somehow equivalent: “Oh, I found a sale today on a nice jacket,” and you want to respond, “I CREATED A WHOLE UNIVERSE WITH MY MIND, IT ISN’T THE SAME, JANICE,” but they just blink and smile and you can’t really crack that nut.

You already know that to write, you need to write. You need to quantum entangle YOUR BUTT with THAT CHAIR and herd those words. Writing can’t happen without writing, can it?

You also already know that writing isn’t just writing. It’s also a whoooooole lot of wandering and dreaming and thinking and worrying. It’s showering and mowing the lawn and then reading and re-reading and editing and weeping and eating cake under your desk.

You already know that desk-cake is the best cake, but also the most worrisome cake.

I can’t tell you anything you don’t already know.

But you and I both know, too, that no matter how weird and how hard it is, writing is what you do and who you are, and it’s worth doing just the same. Stories are sublime. Books are amazing. You don’t come to this ignorant of that. It forms part of a fantastic tradition – a tapestry of words and tales to which you wish to add your very own thread. You know that it matters. That being this thing and doing this work is important to you. Because you’ve read so much already by so many others that has left an indelible print on your soul.

You know you’re going to do it.

You’re a writer, and a writer writes. You know that, too. In your heart. In your gut.

So go write. Show us all what you know.

See you on the other side, penmonkeys.

Chuck WendigChuck Wendig is the New York Times bestselling author of Star Wars: Aftermath, as well as the Miriam Black thrillers, the Atlanta Burns books, Zer0es/Invasive, and his upcoming epic, Wanderers (Del Rey, 2019). He’s also worked in a variety of other formats, including comics, games, film, and television. A finalist for the John W. Campbell Award for Best New Writer and the cowriter of the Emmy-nominated digital narrative Collapsus, he is also known for his popular blog, terribleminds.com, and his books about writing. He lives in Pennsylvania with his family.

Social Media: @chuckwendig on Twitter and @chuck_wendig on IG

Pep Talk Week 4: 5 Creative Habits to Leverage Your JuNoWriMo Success

In this final stretch, boost your creativity for success with these five tips from Judy Lee Dunn.

For years, I thought that creative people had been blessed with a special gene. That they were sprinkled with magic dust from the patron saint of imaginative thinking. Though some people try to make it complicated, it’s really not that hard. Because while creativity is part ability and part attitude, mostly, it’s a habit. Now that you are in Week 4 of JuNoWriMo, you are probably noticing how much easier it’s getting to hit your word count with each passing day.

You’ve been showing up every day and coming up with new ideas has become a habit.

One thing I learned as a teacher of lower primary school kids is that we all have it, this creativity thing. My students came to school ready to explore, to try new things. They were imaginative, full of wonder and curiosity. They taught me so much about writing and blogging and the joy of seeing the world through a child’s eyes.

How can we as writers nurture our creative sides so our idea banks are always full? Here are a few starters: Continue reading “Pep Talk Week 4: 5 Creative Habits to Leverage Your JuNoWriMo Success”