Tag Archives: prewriting steps

Featured Author of the Week: Jessie Sanders

Jessie Sanders

My name is Jessie Sanders, and I have one published novel so far, Into the Flames. Into the Flames is a young adult urban fantasy about Rahab Carmichael, a new girl at a boarding school in Boston, and her attempts to find normalcy. What she finds instead is a group of friends that are just as freaky as she is. For JuNoWriMo I’ll be working on the direct sequel to this novel. I’ve already written two other (unpublished) books in the world of Grover Cleveland Academy, and I’m excited to be starting this fourth book in the series. Continue reading

On Scene Lists: What Your Story Needs

***This post is one of several in our prewriting series. To read the first post, click here.***

Only a few days left until June! Are you ready? Here’s Aaron Pogue’s last post in the prewriting series. Complete all the steps and you’ll be set to have a great JuNoWriMo writing experience. Good luck!

Aaron Pogue

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We’ve been talking about long synopses and scene lists this week. Yesterday I went into some detail on what scene lists are for.

Today I want to tell you how to write one. It shouldn’t be hard, but it’s definitely going to take some time and thought. So let’s get started!

Meat on the Bones

By this point in your prewriting process, you have everything you need to make a story. You’ve got a beginning and an end. You’ve got characters, you’ve got conflict, you’ve got an overview of the plot. Making the novel requires you to flesh out that skeleton, though. Continue reading

On Scene Lists: Building a Novel

***This post is one of several in our prewriting series. To read the first post, click here.***

Hopefully you’ve been making great progress on your prewriting and are almost all ready for June. If you’ve been following the steps in this series by Aaron Pogue, you will go into JuNoWriMo prepared. It’s the best way to start!

Today Aaron talks about writing a long synopsis, the biggest weapon in your prewriting arsenal.

Aaron Pogue

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This week, your big JuNoWriMo prewriting assignment is to develop a long synopsis, or scene list.  Here is a brief description of a scene list:

A scene list is primarily useful as a prewriting or editing tool. It forces you to map out the actual structure of your story, down to the very building blocks, and then gives you an easy place to spot errors or weak points, to tinker and rearrange.

To make a scene list, you start at the very beginning of your story, and write one to two paragraphs describing what happens in every scene. When you’re finished, you’ll have your entire plot down on paper — every twist and every turn — without all that messy set design, characterization, and description.

That’s certainly how we’re using it this week. Today I want to go into a little more detail than those two short paragraphs give. Continue reading

On Narrative Scenes: Writing a Scene

***This post is one of several in our prewriting series. To read the first post, click here.***

Have you been dreaming up ideas for your JuNoWriMo novel? Better yet, why not do some real, tangible prewriting you can lean on during June? Writer’s block will have no chance!

Here’s the next in our series on prewriting by Aaron Pogue.

Aaron Pogue

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This week we’re talking about narrative scenes — the storytelling elements that clarify your characters and progress your plot.

How Scenes Work

As I said yesterday, every scene in your story must move your story forward. That can consistent of character-building, occasionally, and really only in the first act, but in most genres you want to move the plot forward in virtually every scene. Continue reading

On Narrative Scenes: Choosing Your Scenes

***This post is one of several in our prewriting series. To read the first post, click here.***

Today in our series on prewriting for JuNoWriMo, Aaron Pogue talks about writing a scene.

Remember, you’re free to write as much of your novel as you’d like beforehand, but you can only count the words you write in June toward your 50,000 goal.

Aaron Pogue

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This month we’re reviewing all the parts and processes that go into developing a story. Our goal is to put together a complete prewriting package to do some of the heavy lifting for you when it comes time to write a novel in June.

So far, if you’ve been following along, you have Characters, you have the elements of a Plot, presumably you know your Setting, but we still have to discuss how you actually write the story. What do you do to convert that story idea we have so well documented into an actual story?

Thinking in Scenes

The answer is writing scenes. Scenes are the building blocks of any story. Whether it’s a poem, a bit of interpretive dance, a Great American Novel, or a major motion picture, a story is told in scenes. A story told without clearly defined scenes is, essentially, a synopsis. This is how we separate storytelling from summary.

No matter what time frame you’ve chosen for your story, it probably contains the potential for an infinite number of scenes. You could use flashbacks and flashfowards to give the story context, you could have a play-within-a-play, or dreams or hallucinations – you could write a thousand scenes into a narrative that only actually takes place within a single room, over a span of a couple minutes. It would probably be dreadful, but it could be done.

The point is, the story idea that you have already developed contains within it a boundless sea of scenes. A few of them are gripping, immersive. Some of them leap out at you, defining moments in the path from the Big Event to the stunning Climax. Most of them are irrelevant.

Choosing the Scenes

Your job, as the storyteller, is to choose which scenes you are going to include in your story. That’s it. Once you have a character list and a premise, most of the scenes can be extrapolated from there, but it’s up to you to choose which scenes to present to your audience.

For an excellent example of that, just consider the Harry Potter books. He’s in school the entire time, right? For the first five books, at least, he’s spending most of his time in classes, presumably, but how many scenes can you remember where he was in a classroom? They are far fewer than the scenes in the dining hall or the common room, scenes on the Quidditch field or (most common) skulking down shadowy corridors.

Of course, there are scenes that take place in the classroom – often highly dramatic scenes that jump immediately to mind – and that’s precisely the point. She could have included thousands of classroom scenes, but instead she chose just the ones that served the story best, and implied all the hours spent bent over a textbook or scribbling down notes.

When it comes time for you to convert your story idea into a story, there is just one rule you must remember: every single scene must move your story forward.

Believe me, you will write scenes that you absolutely fall in love with but that don’t measure up to that one rule. And, painful as it will be, you’ll have to cut them out of the story. That is the price writers pay. Apart from the rejection letters, it’s really the only one — having to remove something so beautifully crafted from your masterpiece. It’s necessary, though.

Writing the Scene

Before you can start cutting anything, though, you’ve got to get it written. We’ll start on that with this week’s big writing assignment.

Come back tomorrow, and we’ll move you a big step closer to your JuNoWriMo novel with a little bit of practice writing.

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